Category: fofriday

FO Friday: Plaid Scarf

a plaid scarf in white browns and pink hangs over a wooden railing

Draft: None, repeat worked out with plaidmaker.com

Yarn: The Green Line 3/8 by JaggerSpun in Alabaster, Caramel, Cinnamon, and Melon

EPI: 10

Size: 7″ x 76″

Ravelry Link: here

Started: April 18, 2020

Completed: May 1, 2020

a plaid scarf in white, browns and pink laying on weather wooden planks

I made cloth! I have wanted to weave for a long time, and even took a class on it a year ago at DFW Fiber Fest. As soon as I sat down to weave I felt a connection to the ancient art of making cloth and the generations who have done so before me, in a way that I don’t feel about spinning or knitting or sewing. When quarantine hit I decided to go for it and invest in a rigid heddle loom, something that fits into both my budget and my household. This plaid scarf is my first weaving project on my new loom and I am so very pleased with it.

One thing I struggled with on this project was keeping an even number of PPI aka picks her inch, or how close together my weft threads are. You can see it in the above picture and the first one – the color blocks are much longer at one end of the scarf than the other. I was trying to match visually, but learned that method can be unreliable when done under tension. For my next project I will try to match based on my untensioned work.

a plaid scarf in white browns and pink hangs over a wooden railing, billowing out in a breeze

Overall I am so pleased with how easy it was to make this project. I was able to get an idea in my mind and turn it into cloth in just a couple weeks. For my next project I am torn between dishcloths (truly, my long-term weaving dream) or fabric to sew a simple top for myself. I am currently leaning towards the latter, thinking I will raid my leftovers and make a Saori-style scrappy fabric.

Next week I’ll share a bit about the resources I used to become a weaver. I definitely could not have done it without help! Have you taken up a new quarantine craft? Tell me about it in the comments below!

FO Friday: Higher Rise Ginger Jeans

white woman stands with her back to the camera and face turned towards it. she is wearing a yellow and white striped sweater and has her hands in her back pockets. — photo credit: Chaitanya Muralidhara

Pattern: Ginger High Rise Jeans by Closet Case Patterns

Fabric: Cone Mills lightweight denim in Indigo

Size: 14

Started: March 4, 2020

Completed: March 4, 2020

the bottom half of a woman. she is wearing jeans and you can just see the top of her sweater. — photo credit: Chaitanya Muralidhara

I made my first pair of Ginger Jeans last summer at a retreat at Fancy Tiger Crafts and it was an amazing experience that changed me as a sewist. I wear the resulting jeans all the time and they’re so comfortable. However, just as my instructor, the lovely Lauren Taylor, aka Lladybird, warned, with repeated washings they have shrunk a bit vertically. That was just fine for my hem, which I left long, but has been a problem at the rise. It has lowered it just enough that it no longer entirely covers the medical device on my stomach and I find myself tugging on them constantly to keep it covered. So, I decided to make myself a new, even higher-rise pair and I am thrilled with how they turned out.

shoulders down of a woman at a 3/4 angle with her back to the camera. she is wearing a striped sweater and jeans with a hand in the pocket. — photo credit: Chaitanya Muralidhara

I measured the different between where my current Gingers fit and a good clearance above my medical device (to account for future vertical shrinkage!) and came up with 1.5″ as the amount I wanted to add to the rise. On the front it was easy to add it at the point indicated on the pattern. On the back I knew I wanted to split it between the pants piece and the yoke and could not find much guidance on how to do so. I took a random guess and put 1″ in the pants where indicated and .5″ in the yoke where it would hit the most width and I am really pleased with the fit I got in that area. I plan on using the same split for future pairs.

The only other modification I made was to remove 2″ from the length where indicated in the pattern. After sewing them up I decided to cut off another 1″. That still leaves enough length for me to fold up the cuff after hemming. This meant I didn’t need to take in the legs around the calves like in my first pair. Looking at the fit in the legs now, I can see that I could have taken in a few places to remove wrinkles, but I just can’t get bothered about precisely fitting stretch jeans.

waist up of a smiling woman. she is wearing a yellow striped sweater and jeans with her hands in the pockets. — photo credit: Chaitanya Muralidhara

I could not believe I was able to sew these together in a day. It helped that I topstitched in the same thread I used to sew, so I didn’t need to switch machines or rethread. It still feels so powerful to be able to sew my own jeans. With two new pairs in my wardrobe I am set for a while, and I get to enjoy wearing them. To anyone on the fence about sewing their first pair, I really want to encourage you to go for it! Like most sewing, if you take your time and follow the instructions, you can 100% tackle jeans. You may need to do some basting and rip some seams, but luckily denim is a sturdy fabric that can take it. I’d love to hear about your first jeans in the comments below.

FO Friday: Denim Persephones

white woman stands in front of brown chest of drawers, lit from atop. she is wearing a green tank top and light wash high waist wide leg jeans and has her hands on her hips. — photo credit: Chaitanya Muralidhara

Pattern: Persephone Pants by Anna Allen

Fabric: Non-stretch denim from Joann’s

Size: 14

Started: March 2, 2020

Completed: March 5, 2019

a white woman stands at a bar, her body sideways to the camera. she is wearing a tank top and jeans. — photo credit: Chaitanya Muralidhara

Ever since I made my first pair of Persephone Pants in a twill I knew I wanted to make a pair in denim, too. I love the fit of these pants and wanted a jeans-like pair for everyday wear. I learned quickly that my first pair ended up roomier than I would prefer, especially with the stretch that happens with wear, so for these I went down a size. I think ultimately it was the right choice but I am not enjoying the breaking in phase at all.

a white woman stands at a bar, her body facing away from the camera and head turned to smile at it. she is wearing a tank top and jeans. — photo credit: Chaitanya Muralidhara

When I immediately finished the jeans I could just barely get them zipped up. They were definitely not the easy daily wardrobe staple I had been imagining. A friend recommended the old trick of taking a warm bath in the jeans to stretch them out, and then letting them air dry. It was not my favorite bath (and actually the fly facing ripped out of its stitching and had to be redone) but it worked wonders in getting the jeans to be comfortable enough to start wearing. As I have worn them I am finding they are stretching out where I need a bit of extra space (the hips) and are more and more comfy to wear.

a white woman stands at a table, her body facing away from the camera. she is wearing a cabled sweater and jeans. — photo credit: Chaitanya Muralidhara

Overall I do really love the whole these pants fill in my wardrobe. They are so perfect with my new Pamplemousse sweater and I can picture a ton of other tops they will be great with. The only modification I made was to remove 2″ from the length, and I am happy with the just cropped length I ended up with. If I made another pair I would grade out a bit at the hips. I think I have enough of this fabric left to make some shorts for this summer, so I will keep that in mind. These are well on their way to being tried and trues for me. Do you have any patterns that you can see sewing up and perfecting more and more? I’d love to hear about them in the comments!

FO Friday: Pamplemousse Sweater

white woman in green cabled sweater and jeans stands in front of wooden fence, her body sideways and face turned to smile at the camera.

Pattern: Pamplemousse by Thea Colman

Yarn: De Rerum Natura Gilliatt in Forest

Needles: US10 (6.0mm)

Size: 48

Ravelry Link: here

Started: December 26, 2019

Completed: February 23, 2020

white woman in green cabled sweater and jeans stands in front of wooden fence, her body facing the camera and arm on hip, face turned to the side.

Is Pamplemousse my 5th cabled sweater with an oversized neck? Yes, it is. I know what I like and when this pattern from Thea Colman popped up it fell right into the Venn diagram of my favorite elements in a knitted garment. I was amazed to knock it out in under 2 months, as lately I have been finishing one sweater per year, but I just couldn’t put this project down! I am now treating it like my favorite sweatshirt and putting it on anytime I’m a little bit chilly.

white woman in green cabled sweater and jeans stands in front of wooden fence, her back to the camera and faced turned around to look at you.

I spent a lot of time trying to find a substitute for the recommended yarn, Taiga by Bleu Pousserie, which is a rustic yarn without a lot of elasticity. I am really thrilled at how it came out with the yarn I ended up with, Natura by De Rerum Natura. It is a squishy worsted weight that is 100% merino, but still has a more rustic hand. The cables look lovely in this yarn and while my slipped stitch pattern gauge was slightly different than the suggested, I did the math and realized it didn’t make a difference in my sweater circumference so I didn’t adjust for it at all.

white woman in green cabled sweater and jeans stands in front of wooden fence, facing the camera with her arms up and out in a tee position.

I love how you can see the arm shaping in this shot! I did end up making a few modifications to the sweater. I picked up 2 extra stitches for the sleeve and did the same number of decreases so mine would be slightly roomier. I tend to have problems with sleeves being too tight in the biceps so this accommodated that. I also made the sleeves 2″ shorter before starting the ribbing, because I have the arms of a 5’2″ lady. Finally, I worked my cowl slightly differently than the patten – as suggested I went up a needle size after knitting 1″, but after that I kept bumping up to a larger needle size every 4″ per advice I’ve heard in the past from Amy Herzog. It makes the fabric looser as the cowl grows and allows it to get a bit bigger and lay nicely.

white woman in green cabled sweater and jeans stands in front of wooden fence, holding the bottom hem of the sweater and looking down at it.

I am absolutely thrilled to have knit this sweater that fits in so well with many others in my closet. This one is different with the full cowl as well as the cropped length, and really, there is nothing wrong with having similar pieces if clothing you wear and love. Do you have any recurring features in the clothing you make? Tell me about it in the comments below!

FO Friday: Maypole Quilt

a quilt laying on concrete. the quilt has overlapping lines that look woven in white, browns, and greens.

Pattern: Maypole Quilt by Suzy Quilts

Fabric: Michael Miller Couture Cotton in Sage, Kona Cotton in Seafoam, Kona Cotton in White, Kona Cotton in Lingerie, Kona Cotton in Suede, and FIGO Desert Wilderness Circles

Size: Crib (40″ x 45″)

Started: January 18, 2020

Completed: February 8, 2020

close up of a corner of a quilt on concrete. the quilt is folded over so the front and back are both visible. front has strips that look overlapping and woven, back has dots right next to each other that look like water colors. both in green, brown, and white colors.

I love making baby quilts, and no matter how early I plan them, I have an uncanny knack for starting them while the mom is actually in labor. I have wanted to make this pattern, the Maypole Quilt, ever since it came out and was thrilled with the fabrics I picked out. But I still finished it after baby’s arrival . . . the good news is kids don’t outgrow quilts.

a quilt on concrete. back is visible with a fabric that looks like watercolor dots right next to each other in browns, greens, and black on a white background.

Before I get into making the quilt I need to give a shout-out to Fancy Tiger Crafts, where I got the fabric from. One of the colors I ordered online turned out to sell out in their store while I was checking out and so wasn’t available for my order. One of their staff members took pictures of similar fabrics they had in stock next to the rest of my fabrics to help me pick out a substitute, and they didn’t charge me the price difference between what I paid for and the substitute. It may not be local to me, but Fancy Tiger is a local fabric shop and it shows in details like this.

close up of a corner of a quilt on concrete. it shows the quilting on the front - straight lines across the strips of fabric that appear interwoven.

The Maypole Quilt pattern was really easy and came together incredibly quickly. I cut and pieced the top in an afternoon. As always, then I found out the baby had been born and without the pressure of getting it quilted before the baby arrived I procrastinated on quilting. I decided to follow the example in the pattern and do straight line quilting along the strips. This is my first time not doing free-motion quilting and gosh is this so much quicker. It took me a few attempts to figure out how to make reliable straight lines at thirds in the stripes. I tried at first with that attachment you can put in your foot that sticks out a set amount. I couldn’t figure out a way to screw it into place on my walking foot so it led me astray. I had much better success with my hera marker and a ruler (it makes a physical impression on the fabric that fades/washes out, rather than coloring on it).

another view of the whole quilt top on concrete.

I am totally in love with how this whole project came out. I am pleased with the colors I picked out for the top based on looking at pictures of the backing on my computer. The brown could be a little redder, but everything else feels great. And I like the texture from the quilting and from not pre-washing my fabrics and then washing the finished quilt. I hope the mom loves it as much as I do!

FO Friday: Breton Cowl

a white woman in an olive green and chartreuse striped cowl and a sky blue top stands facing the camera, seen from the waist up

Pattern: Breton Cowl by Antonia Shankland

Yarn: Shibui Knits Drift in Field and Shibui Knits Silk Cloud in Pollen

Needle: US9 (5.5mm)

Ravelry Link: here

Started: October 18, 2019

Completed: November 22, 2019

I am a stripes gal, they’re the pattern you see most in my wardrobe. When the lovely ladies at Mason-Dixon Knitting gave me a kit for the Breton Cowl and a copy of the Field Guide containing the pattern I was thrilled to knit some more stripes for my closet. They didn’t ask me to review the kit, this is just me proudly blogging my FOs 😌

white woman in an olive green and chartreuse striped cowl and a sky blue top stands with her head turned to the side

Not only does this pattern contain stripes, it contains my other knitting love – garter stitch. I really love the contrast of the squishy garter background and the stripes in a different fiber and texture. It gives a bit of visual interest to the cowl and makes it the perfect thing to throw on with a simple top.

Do you have go tos that are hard for you to resist in a pattern? I’d love to hear about them below!

FO Friday: Persephone Pants

a white woman in mustard pants and a white tshirt that says "just for fun" with flowers among the letters stands with legs crossed and a hand on her hip

Pattern: Persephone Pants by Anna Allen

Fabric: Stretch Twill in Mustard

Size: 16

Started: November 27, 2019

Completed: November 28, 2019

One of the patterns I have heard recommended nearly unanimously on the Sewing Internet has been the Anna Allen Persephone pants. They’re supposed to be incredibly comfortable and universally flattering. That is a lot of hype, and I was not sure these would live up to it for me – this is not a silhouette I can ever remember wearing and after a life of mostly RTW I generally assume most pants will not look good on me. I am so glad that sewing has pushed my outside of my comfort zone here, because I love my first pair of Persephones and plan to make many more!

a white woman in yellow pants and a white tshirt. she is standing sideways looking at the camera with her back hand in her hair.

The unusual thing about this pants pattern is that they don’t have an outside seam. You cut out the pieces and they look totally unlike pants. I found the instructions to be incredibly clear, though, and they came together really quickly. The pattern is drafted for a button-fly, but I hate those so I used the zipper expansion pack which made a scary step super easy. I made a sad zipper mistake – I trimmed it and then zipped my zipper pull right off! There’s no way to recover from that mistake, unfortunately, so I had to rip out my zipper and replace it with a new one. I truly thought I might lose the pants entirely and was shocked at how simple the process was. Sewing is pretty amazing in that way, you can recover from so many mistakes!

a white woman in mustard pants and a white tshirt with her back to the camera. her arms are above her head and her hip is cocked as is she was caught dancing.

One thing I was worried about in terms of these pants being flattering is that they have no back pockets. I do think a lot about the underwear I wear with these, but I think that may especially be an issue because this fabric is on the thinner side of bottom weight and is lighter colored. I plan to experiment with adding pack pockets to my next pair as I use them a lot in my clothing and the front pockets on these are cute but not super convenient to use. You can’t see the front pockets in any of my photos, I realize – they sit between the belt loops on each side and are just big enough to hold my phone.

a white woman in mustard pants and a white shirts stands at 3/4 to the camera holding and looking at a black cat.

A local stray cat joined us so we decided to include her in our photoshoot. One choice I made that I regret was not interfacing the waistband. The interfacing I had would not stick to the fabric and in a fit I just tore it off and sewed on the piece without it. The waistband crumples down a lot and would definitely look nicer if I had taken the time to try again rather than being so impatient. The other thing I would do differently if I were to redo this pair is I would go down one size. These pants are drafted for non-stretch fabric. I thought the 3% spandex in my fabric wouldn’t be a big deal, but I think it makes them look a bit stretched out and messy at times, and I think a slightly smaller size would have mitigated this.

a white woman in mustard pants and a white shirt stands on one leg with the other behind her and her hands out, open-mouthed smiling at the camera

My favorite thing about these pants is that they are truly high-waisted – they sit at my natural waist. One of the hardest things about dressing with an ostomy is getting waistbands to hit in a comfortable place. This is the first pair of pants I have found that are high enough to entirely cover my bag, rather than bisecting it, and one of the reason I plan to make them a staple of my wardrobe.

Do you have a pattern that works just right for your body that you make over and over? I’d love to hear about it in the comments!

FO Friday: Ballerina Bun Covers

a young ballerina in a coral leotard jumping in a leap

Pattern: Ballerina Bun Covers by Crochet by Jennifer

Yarn: ArtFil Belle in a pink, Indigodragonfly DK Matter in Diplodocus Words, and Suburban Stitcher Merino DK in Tandoori

Hook: USG (4.25mm)

Ravelry Link: here

Started: August 11, 2019

Completed: September 1, 2019

There is a feeling of intense pride when your child sees an item in a store and announces, “My mom could make that.” When shopping for this year’s ballet gear my daughter saw a crocheted bun cover and after bragging about my skills, requested one for herself. I am not an experienced crocheter, but I didn’t want to say no to her request so I made good use of the internet’s resources and made it happen.

back view of ballerina with a pink bun cover and one leg bent at the knee with foot behind her

Going through my stash at home my daughter couldn’t decide between three different skeins, so I offered to make her multiple covers. My crochet skills definitely improved as I went – on the first one I failed to notice the pattern switching from rounds of double crochet to single crochet, while the last one I was able to whip up in under 30 minutes without needing to look up any of the stitches. The pattern recommends finishing with a ribbon laced through the holes at the bottom, but instead I chose to crochet the final round onto a hair elastic. That has worked really well in practice – I can secure the cover mostly with the elastic and just use a couple back-up bobby pins to keep it there.

the back of a ballerina with a pink/orange bun cover

I made a wild guess as to how big to make the covers and ended up doing 3-4 rounds in the section you vary to adjust the size. That works well for her current modest bun, but it would definitely have to be bigger for someone with more or thicker hair. These are easy to make and I would happily make her a whole new set next year to match her new leotard color or accommodate her growing mane. Have you made anything to impress your kids with your crafty skills?

FO Friday: A Spell For Waning

a white woman in an orange cardigan wear a pink and red cowl

Pattern: A Spell For Waning by Jill Draper

Yarn: Jill Draper Makes Stuff Kingston in Hasbrouck Ave and Abeel St

Needles: US11 (8.0mm)

Ravelry Link: here

Started: September 5, 2019

Completed: October 13, 2019

close up of pink and red cowl with woman's hands

One of the yarn companies I return to over and over again is Jill Draper Makes Stuff. I love that she uses domestic wool to create interesting yarns. I think I’m also drawn to them as a native upstate New Yorker – so many of the yarn and color names are familiar to me from my hometown of Ithaca, NY. Last year at Rhinebeck I was thrilled to take home some of Jill’s new yarn Kingston, a woolly, heathery wonder. I cast it on this fall and was able to make this pattern in time for this year’s Rhinebeck. Is there a name for knitting up last year’s festival yarn for this year’s festival? There should be, because it always feels so satisfying to accomplish!

close up of pink and red cowl with woman's hand

I chose this pattern because I love garter stitch. And when it is knit with three strands held together it is especially squishy and textural and delicious. In this pattern you start holding three strands of one color and gradually replace one strand at a time of a different one to create a subtle color gradient. It makes a lovely effect, and combined with the subtle shaping to create a fold to warm your neck, adds up to an easy pattern with lovely details.

The only negative thing I have to say about this project is that when I finished it I realized I would never wear it here because it’s far too warm. Luckily, Rhinebeck is a magical place and it found a home with my housemate Marissa. She is a fellow garter stitch lover and has never made herself a cowl. It will get lots of love around her neck in the Northeast, which makes me very happy because I believe wool wants to be worn. Do you like to give away knits to loving homes?

FO Friday: Yanta Overalls

Pattern: Yanta Overalls from Helen’s Closet

Fabric: Plaiditudes brushed cotton in Ivory & Pink Herringbone

Size: 14 graded to almost a 16 at the waist

Started: October 16, 2019

Completed: October 16, 2019

3/4 view of view woman outdoors in pink overalls

These were panic overalls. In the week before this year’s Rhinebeck Sheep & Wool Festival I looked at the weather and got nervous about being warm enough. So three days before my flight I decided that I needed to sew myself something warm and cozy; I armed myself with this delicious brushed cotton and the pattern that day. I gave myself two days to sew, but was pleased to find they came together in just one. And on the Sunday of Rhinebeck when it was cool and wet I was so so glad to be in my newest make.

the back of a white woman in pink overalls

I cannot recommend this pattern enough. The instructions are super clear not just in how to construct the garment, but also in what sort of pattern alternations you might want to make before beginning, as well as how to assess proper fit. On these I graded the hips out not quite a full size, as well as shortening them at the middle. There are three shorten/lengthen lines – on the bib, in the middle, and on the leg. Due to my height (5’2″) I would normally have shortened at all three, but I left the bib alone because my cup size is larger than the one drafted in the pattern, and at the legs because the pattern is drafted to be a little cropped and I wanted full length. All of this advice I got from the pattern and it was spot on, I am really happy with the fit.

As mentioned above, these came together super quickly. There are certainly things you can nitpick, but for me these feel like one of my best sews to date. Between the fitting and how nice they look, I definitely felt like I leveled up as a sewist on these. Even at the beginning of this year I would have felt like overalls were a stretch for me, but I was totally able to conquer them.

close up of the bib of the pink overalls showing the torso of the white woman

I haven’t worn overalls since middle school and had forgotten how incredibly comfortably they are. I also love how many pockets they have. The top one is the perfect width for my phone, though in practice I don’t use it much for that because this fabric doesn’t have great recovery and it leaves the pocket looking sad and saggy when I take my phone out.

white woman indoors wearing pink overalls making a silly face

As I mentioned in my earlier post about my underwear 🙈I wear a medical device on my belly that changes in size throughout the day. I had stayed away from loose overalls like these because I was sure that they would make my device noticeable. But instead I have found they are one of my most discrete items of clothing, you nearly never see the bulge of the device at all.

These are definitely going to be one of my favorite makes for the year. I threw them together for Rhinebeck both for warmth and because in many ways it is a big fashion show. I wear them every week until I inevitably spill food on them and am forced by shame to wash them. Anything you thought was a risk – for your silhouette, for your skills – that turned out to surpass your expectations?